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Wacom Sold AI Art to Artists and Called It a Celebration

January 1, 2024
Curated by Team Raidu · Reviewed by Shiva Ganesh
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What happened

In January 2024, Wacom released a Chinese New Year promotion featuring AI-generated illustrations of Chinese dragons. The company, a Japanese manufacturer whose drawing tablets are standard equipment for professional illustrators, graphic designers, and digital artists worldwide, did not disclose that the images were machine-generated. When the use of AI was discovered, the reaction from its customer base was swift and specific.

The complaint was not primarily aesthetic. Artists and customers took exception to Wacom's use of AI because the commission, if handled the way such promotions typically are, would have gone to a human creative. Wacom's products are premium-priced precisely because the market they serve, professional digital artists, is one where the quality of work justifies that pricing. Using an image-generation model to produce celebratory artwork for that same market read, to many customers, as a signal that the company did not value the labor its products exist to support. Some said they would not buy Wacom products again.

The covert nature of the choice sharpened the backlash. Wacom did not announce the use of AI, did not credit a system in place of a human artist, and did not include any disclosure that would have let customers evaluate the decision for themselves. The images appeared as ordinary promotional material. The audience for the promotion was the same community of designers and illustrators who depend on Wacom hardware for their livelihoods, which meant the absence of disclosure was not a neutral omission. It was a choice made visible only because someone noticed and said something.

Wacom eventually published a response to community questions about its use of AI-generated art in US marketing assets. The statement acknowledged the decision. It did not reverse course or commit to any change in how the company would label or disclose AI use in future campaigns.

What the Wacom episode makes visible is the gap between what a company publishes and what its audience can verify about how it was made. No external requirement forced disclosure, and nothing would have surfaced the decision before the backlash began. A provable record of what a system generated, attached to the asset at publication, would have let Wacom's audience make an informed choice, or would have forced the company to make a different decision before the images went out. Without that record, disclosure is entirely voluntary, which means it tends to happen only after the fact, when the trust has already been spent.

Reported impact

Affected parties
Not publicly disclosed
Harm type
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Scale
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Financial impact
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Regulatory action
Not publicly disclosed

Classification

Organization
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AI system
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Industry
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Country
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Provider
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Incident type
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Relevant governance controls

Governance control mapping is not available for this record.

  • No controls mappedNot publicly disclosed

Control mapping is analytical. It does not state that any control would have prevented the incident.

Sources and evidence

This record was researched and written by the Index. The event is also catalogued in the following database, which is listed for cross-reference.

AIAAIC Repository
Also catalogued in
Wacom Sold AI Art to Artists and Called It a Celebration
2024